Odes To Escapism: The Sound Universe Of MSEA By Andie Fontaine 15. apríl 2019 15:00 MSEA. Grapevine/Art Bicnick Maria-Carmela Raso, better known as MSEA, is a soft-spoken, self-deprecating musician originally from Canada. But her EP, ‘Hiding Under Things,’ belies a whole other side to the artist. Her lush, atmospheric compositions are deceptive. Just as the wash of keyboards and her ethereal voice draw you in, you begin to feel a gently unsettling undercurrent to the harmonies. At times, it feels as though the slightest vibration could shatter the whole thing into a million pieces, but MSEA maintains the delicate tension of her pieces from start to finish. “Making music started as a way to comfort myself as a child, which the EP title is kind of about,” she says. “It’s an ode to escapism. I’d write lyrics in my bed and sing myself to sleep when I was about 11 or 12 years old.” A reflective moment The past is a major theme of the EP, as MSEA attests. “The sound universe of the EP is related to the past,” she says. “I tried a lot to distance myself from home when I first moved away. I’ve been away for 11 years now. I needed to distance myself for a long time, and now the more I’m away, the more I look back thinking about things. This EP is the sound universe of my youth. I think that’s why there’s this beauty, but also these uncomfortable moments.” “I go through waves of an intense need for creativity.” While she has only been living in Iceland for two years now, the EP features some remarkable local talent, including Albert Finnbogason of JFDR and Sóley fame. In many ways, necessity dictated the form this music took. “When I first moved here, I was used to playing with a band like I did in Toronto,” says Marie. “I was writing score styles. But then I moved here and didn’t know any musicians, so I switched to electronic.” She made friends in the Reykjavík music scene along the way, and her songs have become a blend of her production and the input of others, including Albert, who added other instruments. “It’s been a really nice collaborative process.” This is an excerpt of a feature published by The Reykjavík Grapevine. You can read the whole feature here. The Reykjavík Grapevine is Iceland´s biggest and most widely read tourist publication. Get your latest on life, travel and entertainment in Iceland on grapevine.is. Mest lesið Hitamet slegið á Spáni um helgina Erlent Óákveðin hvort hún fari aftur fram fyrir Sósíalista: „Mér finnst þetta bara orðið bull“ Innlent Tugir missa vinnuna í sumar Innlent Þúsundir Norðmanna fengu fyrir mistök tilkynningu um að hafa unnið milljónir Erlent Hringsund um Ísland skapi verðmæta þekkingu Innlent Segir ráðherra sjálfum í lófa lagið að breyta leikreglum svo ágóðinn rati vestur Innlent Ekkert samkomulag í höfn enn um þinglok Innlent Rektorar allra íslenskra háskóla lýsa yfir miklum áhyggjum Innlent Árásarmaðurinn ölvaður Íslendingur Innlent Segir gömlu samræmdu prófin ekki hafa mælt það sem þurfti Innlent
Maria-Carmela Raso, better known as MSEA, is a soft-spoken, self-deprecating musician originally from Canada. But her EP, ‘Hiding Under Things,’ belies a whole other side to the artist. Her lush, atmospheric compositions are deceptive. Just as the wash of keyboards and her ethereal voice draw you in, you begin to feel a gently unsettling undercurrent to the harmonies. At times, it feels as though the slightest vibration could shatter the whole thing into a million pieces, but MSEA maintains the delicate tension of her pieces from start to finish. “Making music started as a way to comfort myself as a child, which the EP title is kind of about,” she says. “It’s an ode to escapism. I’d write lyrics in my bed and sing myself to sleep when I was about 11 or 12 years old.” A reflective moment The past is a major theme of the EP, as MSEA attests. “The sound universe of the EP is related to the past,” she says. “I tried a lot to distance myself from home when I first moved away. I’ve been away for 11 years now. I needed to distance myself for a long time, and now the more I’m away, the more I look back thinking about things. This EP is the sound universe of my youth. I think that’s why there’s this beauty, but also these uncomfortable moments.” “I go through waves of an intense need for creativity.” While she has only been living in Iceland for two years now, the EP features some remarkable local talent, including Albert Finnbogason of JFDR and Sóley fame. In many ways, necessity dictated the form this music took. “When I first moved here, I was used to playing with a band like I did in Toronto,” says Marie. “I was writing score styles. But then I moved here and didn’t know any musicians, so I switched to electronic.” She made friends in the Reykjavík music scene along the way, and her songs have become a blend of her production and the input of others, including Albert, who added other instruments. “It’s been a really nice collaborative process.” This is an excerpt of a feature published by The Reykjavík Grapevine. You can read the whole feature here. The Reykjavík Grapevine is Iceland´s biggest and most widely read tourist publication. Get your latest on life, travel and entertainment in Iceland on grapevine.is.
Mest lesið Hitamet slegið á Spáni um helgina Erlent Óákveðin hvort hún fari aftur fram fyrir Sósíalista: „Mér finnst þetta bara orðið bull“ Innlent Tugir missa vinnuna í sumar Innlent Þúsundir Norðmanna fengu fyrir mistök tilkynningu um að hafa unnið milljónir Erlent Hringsund um Ísland skapi verðmæta þekkingu Innlent Segir ráðherra sjálfum í lófa lagið að breyta leikreglum svo ágóðinn rati vestur Innlent Ekkert samkomulag í höfn enn um þinglok Innlent Rektorar allra íslenskra háskóla lýsa yfir miklum áhyggjum Innlent Árásarmaðurinn ölvaður Íslendingur Innlent Segir gömlu samræmdu prófin ekki hafa mælt það sem þurfti Innlent